| informations |
The Nuremberg State Theatre values a working environment that is sensitive to discrimination and is characterised by respectful cooperation and diverse perspectives, experiences and ideas.
Equal opportunities are the basis of our HR work.
We therefore welcome applications from all people regardless of gender, ethnic, cultural or social background, age, religion, ideology, disability or sexual identity and would particularly like to encourage people with structural experience of discrimination to apply to us.
We would like to point out that only applicants who are in an employment relationship in accordance with TVK will be reimbursed for travelling expenses in accordance with TVK § 29 Para. 4. |
| mandatory pieces |
A great romantic concerto (from Beethoven to Bartók), 1st movement
W. A. Mozart: Concerto in G major for violin and orchestra no. 3 (KV 216), 1st movement (with cadenza) and 2nd movement
or
W. A. Mozart: Concerto in D major for violin and orchestra No. 4 (KV 218), 1st movement (with cadenza) and 2nd movement
or
W. A. Mozart: Concerto in A major for violin and orchestra No. 5 (K. 219), 1st movement (with cadenza) and 2nd movement |
| orchestral excerpts |
Basis: Schott Volume 2
B. Bartók: Concerto for Orchestra, from bar 265 (p. 10)
L. v. Beethoven: 9th Symphony, Scherzo, up to bar 84 (p. 18 and 19)
A. Bruckner: Symphony No. 9, 3rd movement, 2nd violin (p. 27 and 28)
W. A. Mozart: "Magic Flute", Overture, 2nd violin (p. 49)
W. A. Mozart: "Così fan tutte", Act 2 No. 31 Finale, 2nd violin (p. 48)
B. Smetana: The Bartered Bride Overture (p. 55 to 58)
R. Wagner: "Siegfried", Act 3, Scene 3 (p. 75)
R. Wagner: Die Meistersinger von Nürnberg, Prelude (p. 75/76)
Basis:
R. Wagner: Prelude Tristan and Isolde (see markings in the pdf file)
Basis: Schott Volume 1
J.S.Bach: St Matthew Passion solo violin of the aria "Gebt mir meinen Jesum wieder" (p. 8 and 9) |
